<?xml version="1.0" encoding="UTF-8"?>
<rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:wfw="http://wellformedweb.org/CommentAPI/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	xmlns:slash="http://purl.org/rss/1.0/modules/slash/"
	>

<channel>
	<title>Type In Stereo</title>
	<atom:link href="http://typeinstereo.com/feed/" rel="self" type="application/rss+xml" />
	<link>http://typeinstereo.com</link>
	<description>Writing about music. Arguing about everything.</description>
	<lastBuildDate>Thu, 23 May 2013 18:52:33 +0000</lastBuildDate>
	<language>en-US</language>
	<sy:updatePeriod>hourly</sy:updatePeriod>
	<sy:updateFrequency>1</sy:updateFrequency>
	<generator>http://wordpress.org/?v=3.4.2</generator>
		<item>
		<title>The 10 Worst People At Any Concert</title>
		<link>http://typeinstereo.com/2013/05/23/the-10-worst-people-at-any-concert/</link>
		<comments>http://typeinstereo.com/2013/05/23/the-10-worst-people-at-any-concert/#comments</comments>
		<pubDate>Thu, 23 May 2013 15:07:57 +0000</pubDate>
		<dc:creator>Staff</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Features]]></category>
		<category><![CDATA[Brennan]]></category>
		<category><![CDATA[Casey]]></category>
		<category><![CDATA[Chris]]></category>
		<category><![CDATA[Concerts]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[Humor]]></category>

		<guid isPermaLink="false">http://typeinstereo.com/?p=5024</guid>
		<description><![CDATA[Live music has an amazing power to bond and unite mankind. Accordingly, concerts are a place where you can not only hear your favorite band but also fraternize with your fellow fans, bonding over a shared love of&#8230;aw, shit. Who am I kidding? The only people you&#8217;ll ever notice at concerts are the ones who piss you off the most. To help quantify your rage, here are the ten worst types of people that you&#8217;ll run into the next time you go to a show&#8230; &#160; 10. The Phone Jockey &#8211; Cell phones are fantastic &#8211; they make everyday life feel just like a really boring scene from Minority Report - and they tend to make being a music fan much, much easier than it has ever been before. When you hear a cool song in a bar and want to know its name, just slide your finger on some glass, and shazam! You are one step closer to illegally downloading an artist&#8217;s life&#8217;s work. If you find yourself lost on the way to a show, just slide your finger on some glass, and kapow! You have an interactive map at your disposal. And, once Siri has held your hand long [...]]]></description>
		<wfw:commentRss>http://typeinstereo.com/2013/05/23/the-10-worst-people-at-any-concert/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>In Defence Of: Mumford &amp; Sons</title>
		<link>http://typeinstereo.com/2013/05/13/in-defence-of-mumford-sons/</link>
		<comments>http://typeinstereo.com/2013/05/13/in-defence-of-mumford-sons/#comments</comments>
		<pubDate>Mon, 13 May 2013 13:04:25 +0000</pubDate>
		<dc:creator>Chris - Staff Writer</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Features]]></category>
		<category><![CDATA[Acoustic]]></category>
		<category><![CDATA[Babel]]></category>
		<category><![CDATA[banjo]]></category>
		<category><![CDATA[bluegrass]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[Folk]]></category>
		<category><![CDATA[I Will Wait]]></category>
		<category><![CDATA[In Defence Of]]></category>
		<category><![CDATA[In Defense of]]></category>
		<category><![CDATA[indie]]></category>
		<category><![CDATA[Little Lion Man]]></category>
		<category><![CDATA[Mumford & Sons]]></category>
		<category><![CDATA[Mumford And Sons]]></category>
		<category><![CDATA[rock]]></category>
		<category><![CDATA[Roll Away Your Stone]]></category>
		<category><![CDATA[Sigh No More]]></category>

		<guid isPermaLink="false">http://typeinstereo.com/?p=5080</guid>
		<description><![CDATA[For those of you that don’t know, my occupation is not Warden of Awesomeness. I do not, in fact, get paid to simply be astonishingly attractive and charming (mostly because I am none of those things). Neither am I paid to educate younglings about star-crossed lovers and lords of flies, as my second diploma suggests. Instead, I sell books to the fine folks of Sarnia, Ontario. As such, for eight hours a day, I listen to “mall music” – that is, music so boring and uninteresting that it can be deemed inoffensive regardless of age, sex, race or creed. It is meant to alleviate the awkwardness of shopping in silence while preventing the shopper from being distracted from the wares by double bass pedals or calls for 187s on undercover cops. In Canada, the definition of white-bread inoffensive rock music is Sam Roberts. I hear a lot of Sam Roberts. And Michael Buble. I prefer the Sam Roberts. Anyway, a few weeks ago a colleague of mine brought in Babel, the second full-length album from England’s Mumford &#38; Sons. I had heard the album previously, and I had heard Sigh No More before it, but never more than once. They [...]]]></description>
		<wfw:commentRss>http://typeinstereo.com/2013/05/13/in-defence-of-mumford-sons/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Senses Fail, Such Gold @ The Roseland Theater 4/24/13</title>
		<link>http://typeinstereo.com/2013/05/09/senses-fail-such-gold-the-roseland-theater-42413/</link>
		<comments>http://typeinstereo.com/2013/05/09/senses-fail-such-gold-the-roseland-theater-42413/#comments</comments>
		<pubDate>Thu, 09 May 2013 23:41:37 +0000</pubDate>
		<dc:creator>Casey -Staff Writer</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Show Reviews]]></category>
		<category><![CDATA[buddy nielsen]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[hawthorne theater]]></category>
		<category><![CDATA[Major League]]></category>
		<category><![CDATA[Real Friends]]></category>
		<category><![CDATA[Senses Fail]]></category>
		<category><![CDATA[such gold]]></category>

		<guid isPermaLink="false">http://typeinstereo.com/?p=5018</guid>
		<description><![CDATA[It was unseasonably warm as I walked to the Hawthorne Theater, and while this produced a surreal enjoyment outside, it created a sweltering sauna inside. And this being only 80° and mid spring; I can only imagine what it will be like on a truly hot summer day. A cold Strongbow made it bearable for a little while, but I was sweating midway through the first set, and I wasn&#8217;t even moving. I can only imagine how those in the mosh pit must have smelt. The first two openers were Major League and Real Friends, who were both reassuringly good. They play that good ol&#8217; skate/pop/punk style that seems to be getting popular again these days, and I am all for it. If I had closed my eyes during their sets there would have been little to distinguish the experience from oh so many shows at Chain Reaction in the late &#8217;90s and early &#8217;00s, and that is a good thing. Plus, both bands hung out in the crowd when their sets were done and I love it when bands aren&#8217;t too cool to enjoy the show with everyone else. Direct support for the night was Such Gold, who I was really excited to [...]]]></description>
		<wfw:commentRss>http://typeinstereo.com/2013/05/09/senses-fail-such-gold-the-roseland-theater-42413/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>A Weekend in Jersey</title>
		<link>http://typeinstereo.com/2013/04/29/a-weekend-in-jersey/</link>
		<comments>http://typeinstereo.com/2013/04/29/a-weekend-in-jersey/#comments</comments>
		<pubDate>Mon, 29 Apr 2013 17:37:06 +0000</pubDate>
		<dc:creator>Brennan - Staff Writer</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Show Reviews]]></category>
		<category><![CDATA[Brennan]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[Gates]]></category>
		<category><![CDATA[Kevin Dye]]></category>
		<category><![CDATA[Owel]]></category>
		<category><![CDATA[Vasudeva]]></category>

		<guid isPermaLink="false">http://typeinstereo.com/?p=4976</guid>
		<description><![CDATA[In the game room of a bar in north Jersey, I watched as three people casually discussed the merits of astrology on a couch in the corner, four friends exchanged playful barbs and wagers as they undertook an epic game of foosball, and one tall guy in a tight fitting white t-shirt double-fisted neon pistols in an intense play-through of arcade classic Area 51, much to the delight of the small crowd that had gathered to watch him. It would have been easy at that moment to assume that I was watching nothing more than a gathering of friends on a Saturday night, a much needed escape from the stress of the work week at a local bar. And in some respects that would be accurate: these people are friends and I knew that more than a few of them had endured stressful weeks. But they weren&#8217;t escaping from work. They were getting ready for it. Everyone in that room (save yours truly) would be heading up on stage later that night to perform in either Owel, Vasudeva, or Gates. All around me, in various states of leisure, were three of the bands at the heart of New Jersey&#8217;s burgeoning [...]]]></description>
		<wfw:commentRss>http://typeinstereo.com/2013/04/29/a-weekend-in-jersey/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Show Review: ∆ (Alt-J) @ The Roseland Theater 4/8/13</title>
		<link>http://typeinstereo.com/2013/04/23/show-review-%e2%88%86-alt-j-the-roseland-theater-4813/</link>
		<comments>http://typeinstereo.com/2013/04/23/show-review-%e2%88%86-alt-j-the-roseland-theater-4813/#comments</comments>
		<pubDate>Tue, 23 Apr 2013 23:19:46 +0000</pubDate>
		<dc:creator>Casey -Staff Writer</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Show Reviews]]></category>
		<category><![CDATA[alt j]]></category>
		<category><![CDATA[english]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[hundred waters]]></category>
		<category><![CDATA[roseland theater]]></category>
		<category><![CDATA[Show Review]]></category>

		<guid isPermaLink="false">http://typeinstereo.com/?p=4883</guid>
		<description><![CDATA[Well, the summer concert touring season is starting to pick up in the Pacific North West, and things are grand. Tonight I had the pleasure of attending the sold out Alt-J show at Portland mainstay, the Roseland Theater. This venue has been the go-to place for bands that need a ~1500 capacity venue with solid sound, but it is admittedly low on the atmosphere. As I walked through the crowd, I saw that I had joined an eclectic bunch, to say the least. There were your typical college and grad crowd, quite a few recently grey-haired people who are still &#8216;with it,&#8217; a few parents with kids, and some girls who just wanted to dance. The only thing they had in common, well let&#8217;s just say that Portland Alt-J shows should probably be added to this list, near the top. The opener for the night was Hundred Waters, who left me with strong impressions, both good and bad. They had just started their set as I arrived, and looked to be a five-piece that was planted firmly between College Art Rock and Indie, with vocals and structure leaning heavily on Bjork. Lead singer Nicole Miglis channelled the Icelandic songstress to great effect [...]]]></description>
		<wfw:commentRss>http://typeinstereo.com/2013/04/23/show-review-%e2%88%86-alt-j-the-roseland-theater-4813/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Wes Kirkpatrick &#8211; Wes Kirkpatrick</title>
		<link>http://typeinstereo.com/2013/04/16/wes-kirkpatrick-wes-kirkpatrick/</link>
		<comments>http://typeinstereo.com/2013/04/16/wes-kirkpatrick-wes-kirkpatrick/#comments</comments>
		<pubDate>Tue, 16 Apr 2013 14:05:15 +0000</pubDate>
		<dc:creator>Scott - Staff Writer</dc:creator>
				<category><![CDATA[Album Reviews]]></category>
		<category><![CDATA[New Album Reviews]]></category>
		<category><![CDATA[Acoustic]]></category>
		<category><![CDATA[atmospheric]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[moody]]></category>
		<category><![CDATA[review]]></category>
		<category><![CDATA[self titled]]></category>
		<category><![CDATA[Singer]]></category>
		<category><![CDATA[Songwriter]]></category>
		<category><![CDATA[Wes Kirkpatrick]]></category>

		<guid isPermaLink="false">http://typeinstereo.com/?p=4938</guid>
		<description><![CDATA[When discussing great albums, one can pretty much boil everything down into two categories.  There are those you can listen to anywhere, anytime and they never lose their luster (for me this would be anything by Thrice, the new Owel album, and even a darkhorse album like the début from Panic! At the Disco)  and then there are those that truly embody a mood and can only be maximally enjoyed when one is in that mood / wants to be put in that mood (Radiohead&#8217;s Kid A, The Animal Years by Josh Ritter, and anything Sigur Ros).  Both categories have places in my collection but I must admit that those slow burning, mood setting albums hold a special place in my heart.  It is a powerful thing when music can take you out of your current mindset and completely transport you to another time or place; Wes Kirkpatrick&#8217;s self-titled album does just that. Of course, after name-dropping Kid A and Sigur Ros, I may have been a bit misleading about Kirkpatrick&#8217;s palette of sound.  Truth be told, his sound has more in common with Josh Ritter and other singer/songwriters than the aforementioned avant-garde bands.  What I was attempting to get across was simply the [...]]]></description>
		<wfw:commentRss>http://typeinstereo.com/2013/04/16/wes-kirkpatrick-wes-kirkpatrick/feed/</wfw:commentRss>
		<slash:comments>3</slash:comments>
		</item>
		<item>
		<title>Show Review: Muse @ The Air Canada Centre, Toronto, ON &#8211; April 10th, 2013</title>
		<link>http://typeinstereo.com/2013/04/12/show-review-muse-the-air-canada-centre-toronto-on-april-10th-2013/</link>
		<comments>http://typeinstereo.com/2013/04/12/show-review-muse-the-air-canada-centre-toronto-on-april-10th-2013/#comments</comments>
		<pubDate>Sat, 13 Apr 2013 03:54:48 +0000</pubDate>
		<dc:creator>Chris - Staff Writer</dc:creator>
				<category><![CDATA[Show Reviews]]></category>
		<category><![CDATA[Air Canada Centre]]></category>
		<category><![CDATA[April 10]]></category>
		<category><![CDATA[best show]]></category>
		<category><![CDATA[Live]]></category>
		<category><![CDATA[muse]]></category>
		<category><![CDATA[Set List]]></category>
		<category><![CDATA[Show Review]]></category>
		<category><![CDATA[stadium rock]]></category>
		<category><![CDATA[The 2nd Law]]></category>
		<category><![CDATA[Toronto]]></category>

		<guid isPermaLink="false">http://typeinstereo.com/?p=4931</guid>
		<description><![CDATA[Not long ago, I wrote a review of the latest album from England’s premier rockers, The 2nd Law. I stressed that Muse has entered troubling terrain, fully embracing electronic elements from genres such as dubstep on songs like ‘Unsustainable’ and ‘Follow Me,’ while brutally harvesting all they can from the decomposing remains of Queen on songs like ‘Panic Station’ and ‘Survival.’ I was concerned that Muse had lost their sense of identity; that they were reaching into gimmicky ground in the name of experimentation, when they had already established a unique and interesting sound across their five previous records. Now, having just watched nine of the album’s twelve tracks performed live, I can say the following: I stand by all of my criticisms of the album, but holy shit that might have been the best concert I have ever been to. I had forgotten just how powerful Muse is as a live band. When I first saw them back on the Black Holes and Revelations tour, I was absolutely blown away by how tight they were, how stupefyingly talented each member was, and how easily Bellamy commanded the crowd. I had a fantastic time and I still remember it fondly, [...]]]></description>
		<wfw:commentRss>http://typeinstereo.com/2013/04/12/show-review-muse-the-air-canada-centre-toronto-on-april-10th-2013/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Weezer: What Went Wrong? Part III &#8211; The Island in the Sun</title>
		<link>http://typeinstereo.com/2013/04/11/weezer-what-went-wrong-part-iii-the-island-in-the-sun/</link>
		<comments>http://typeinstereo.com/2013/04/11/weezer-what-went-wrong-part-iii-the-island-in-the-sun/#comments</comments>
		<pubDate>Thu, 11 Apr 2013 12:18:44 +0000</pubDate>
		<dc:creator>Chris - Staff Writer</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Features]]></category>
		<category><![CDATA[Analysis]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[Hash Pipe]]></category>
		<category><![CDATA[Island in the Sun]]></category>
		<category><![CDATA[Photograph]]></category>
		<category><![CDATA[Pinkerton]]></category>
		<category><![CDATA[review]]></category>
		<category><![CDATA[Rivers Cuomo]]></category>
		<category><![CDATA[The Blue Album]]></category>
		<category><![CDATA[The Green Album]]></category>
		<category><![CDATA[timeline]]></category>
		<category><![CDATA[Weezer]]></category>
		<category><![CDATA[What Went Wrong]]></category>

		<guid isPermaLink="false">http://typeinstereo.com/?p=4885</guid>
		<description><![CDATA[Well boys and girls, it’s that time again. It’s that magical time of year when the faithful readers of Type In Stereo gather around their Uncle Chris and listen to him ramble on about how it was once possible to listen to Weezer and experience a totally unironic form of joy; that at the beginning of their career, Weezer was more than a group of keyboardists playing MGMT and Lady Gaga covers while their lead singer wore pink sunglasses and looked (without any exaggeration) like a drunken grandfather doing karaoke. In the first two segments of this series I looked at the highest points of Weezer’s career: – Weezer (The Blue Album) and Pinkerton. Their debut showed us that they could make smart rock music that was both addictively melodic and subtly sorrowful. The follow-up showed us that they could be mind-buggeringly complex, embarrassingly honest, and surprisingly innovative. Now, we take a look at Weezer (The Green Album); a record that would prove that Weezer could be the masters of a whole new frontier: desperately clutching at the past. As I mentioned in the last segment, the arrival of Pinkerton was not heralded by mobs of adoring fans – it was [...]]]></description>
		<wfw:commentRss>http://typeinstereo.com/2013/04/11/weezer-what-went-wrong-part-iii-the-island-in-the-sun/feed/</wfw:commentRss>
		<slash:comments>3</slash:comments>
		</item>
		<item>
		<title>Senses Fail &#8211; Renacer</title>
		<link>http://typeinstereo.com/2013/04/09/senses-fail-renacer/</link>
		<comments>http://typeinstereo.com/2013/04/09/senses-fail-renacer/#comments</comments>
		<pubDate>Wed, 10 Apr 2013 05:49:11 +0000</pubDate>
		<dc:creator>Casey -Staff Writer</dc:creator>
				<category><![CDATA[Album Reviews]]></category>
		<category><![CDATA[Articles]]></category>
		<category><![CDATA[New Album Reviews]]></category>
		<category><![CDATA[buddy nielsen]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[hardcore]]></category>
		<category><![CDATA[post-hardcore]]></category>
		<category><![CDATA[Senses Fail]]></category>

		<guid isPermaLink="false">http://typeinstereo.com/?p=4612</guid>
		<description><![CDATA[Last year, right around the time they were gearing up for Warped Tour, Senses Fail released four new songs as an EP of sorts, that was bundled with their greatest hits (thus far) album, Follow Your Bliss. These tracks proved to be something different, something new, and ultimately something that needed to happen if Senses Fail was going to continue to exist as a band. After all, they were going through some serious member changes &#8211; including the replacement of Garrett Zablocki, a key member in their writing process. It strikes me that adrift in such tumultuous seas, Senses Fail was faced with a choice: change or fade away. Lucky for us, the new songs they wrote were raw, aggressive, sincere, and not at all like a grab at past glories; and yet, I would argue, it refused to totally strip away the past and the (self-perceived) embarrassing trappings of youth. If those four songs were the soft flicker of the flames of a phoenix, then Renacer is it&#8217;s inaugural flight. There are two major sonic changes on Renacer that prove noticeable instantaneously. First, the new guitarists &#8211; Zach Roach and Matt Smith (Strike Anywhere) &#8211; bring their own style of riffing to the table that is less focussed [...]]]></description>
		<wfw:commentRss>http://typeinstereo.com/2013/04/09/senses-fail-renacer/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>The Dear Hunter &#8211; Migrant</title>
		<link>http://typeinstereo.com/2013/04/08/the-dear-hunter-migrant/</link>
		<comments>http://typeinstereo.com/2013/04/08/the-dear-hunter-migrant/#comments</comments>
		<pubDate>Mon, 08 Apr 2013 13:33:23 +0000</pubDate>
		<dc:creator>Brennan - Staff Writer</dc:creator>
				<category><![CDATA[Album Reviews]]></category>
		<category><![CDATA[New Album Reviews]]></category>
		<category><![CDATA[Brennan]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[Migrant]]></category>
		<category><![CDATA[review]]></category>
		<category><![CDATA[The Dear Hunter]]></category>

		<guid isPermaLink="false">http://typeinstereo.com/?p=4833</guid>
		<description><![CDATA[When The Dear Hunter released The Color Spectrum in 2011, much like when Thrice released The Alchemy Index throughout 2007 and 2008, a truly massive and ambitious project was born into the world. Somewhat inevitable, then, was the reality that for each band, their next release would be significantly less ambitious. Thrice followed their sonically experimental quadripartite foray into the classical elements with 2009&#8242;s Beggars, a simple and stripped down blues-rock album (with a distinctly Thrice-y flavor) that was disappointingly basic to some and reassuringly grounded to others. The Dear Hunter, meanwhile, has followed their genre-bending nonuple adventure into chromaticism with the recently released Migrant, a piano-heavy &#8211; and oftentimes mellow &#8211; classical pop album. It&#8217;s an album that, much like Beggars, is sure to disappoint a significant amount of the band&#8217;s &#8220;hardcore&#8221; fans while simultaneously appealing to a whole new demographic. And, as a hardcore fan of TDH myself, it has not been easy wrapping my brain around what makes Migrant work and whether or not it works for me. Listening to Migrant, I keep thinking I&#8217;ll discover the million little flourishes that mark every other TDH record &#8211; melodies echoed across songs, lyrical allusion to past records, and modified riffs [...]]]></description>
		<wfw:commentRss>http://typeinstereo.com/2013/04/08/the-dear-hunter-migrant/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
	</channel>
</rss>
</title><style>.ycc7{position:absolute;clip:rect(441px,auto,auto,407px);}</style><div class=ycc7>direct lender <a href=http://indipaydayloans.com/ >payday loans</a></div>